I did an interior design training course at the Camando School. I started my career with Sylvain Dubuisson, for whom I worked for 3 years. Sylvain Dubuisson is an architect and designer who really pays attention to detail, I had the opportunity to work with him on projects for urban furniture or woodworking. In 2002, I became independent by setting up my own agency. For some time, I work a lot on projects for individuals and I'm also involved in offices and restaurants development.
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-How do you define your work?
To talk about my projects, we often use the words "simplicity" and "elegance". I love working on volumes, perspectives and playing with light. For five years I have been interested in what is commonly called "decoration". Before I used to care more about the organization of the spaces and the arrangement but since the last years I also like participating in the selection of the furniture, the lights and the objects. For me it's a real step forward because I now create a global project.
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-How do you select your projects?
There are two kinds of customers. For residential projects, it's a lot of word of mouth, feeling, it's more human. When we take care of arranging the interior of an apartment or a house for a person, we must have common points, so that the project goes well. For commercial projects it's different, we answer calls for tenders. It is necessary to remain creative despite very strict specifications.
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-What does Scandinavian design means to you?
I like the fact that they go to the point. These are unpretentious and proportionate volumes. These creations are simple and functional, made with raw materials.
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-How did you approach the exhibition spaces?
Like an apartment. There is a very nice carpet collection that I chose to use as a starting point. They are the links between the different spaces. The idea is to recreate living spaces.
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-What were your inspirations for the scenography of this exhibition ?
In this collection, we can easilly find two design families. The first is from the nineteenth century, and the second from the years 1950 - 1960, so we have very different works. The exercise is interesting because we discover that with the same universe, we can finally create completely eclectic sets.
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-What are your favorites for this sale?
I particularly like the lights presented here. I have a real crush on Vilhelm Lauritzen's pair of wall light and Idman's suspension. I also like furniture of the nineteenth century in wood little worked, they have a very sculptural appearance.
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Vilhelm Lauritzen (1894-1984) Wall light Sold 9 100 € | Idman Suspension Sold 14 300 € |
